Interview|带子解除Niels Strøyer Christophersen的"五感"的哲学

在访问了日本的时候，可能有用语言碰上不能表达的"新的感觉"(五感的刺激)的事情吗？比方说光的进入方法以及雨停的土的味……请告诉我刺激你的创造的源头的经验。

总是对在对五感起作用的日本的旅馆的空间感到的寂静是使感到吃惊。是有是否时间仿佛停止了感到的那样的力的地方。用这次的旅行，访问福冈县以及佐贺县，也顺路去了在印象深刻的陶器艺术美术展览室同时设置的"洋阁"这个旅馆。向那里流动的气氛很清澈，为了超出了时代感到空气，好像眼睛觉得的一刹那一刹那被礼貌地整理。

可能认为nirusu跟日本在FRAMA的创造以及自己的哲学有联系吗？

我在为了正把日本文化包进去感到的纤细和在那里的强度以及明确感到深的魅力。那个是也影响心我自己的东西，并且也通晓全体FRAMA这个品牌的特殊性的话感到。"在简约里的复杂性"这个东西在旅行中感到好几次日本，是什么正感觉到的中的一个。看不见的层也与几层重叠，被非常提炼的社会是形状zukurareteiru。对从外面拜访的者来说，以及那个根本自然在哪里，或者，感到对"甚至超自然的对象"为了正被形成。

总是于是被从人口600万个左右的从小的国家丹麦来的我作为大城市的东京以及日本的社会的日常正这样顺利被形成的吃惊。迄今为止访问了好几次东京，但是被混乱的少以及寂静以及人们的安定以及集中力每次入迷。那里，起因深深于自己的文化，为了有珍惜"需要时间对好的东西"的社会感到。

"散发香味"或者在记忆刻，被拥挤，是灵感的源头，"散发香味"是什么？另外，请告诉我那个香味回想了什么样的感情。

在小孩的时候，父母的朋友在经营蜂蜡蜡烛的工厂。在有时在那家工厂的外面停下的车中在睡觉，但是过了一会儿，醒过来了。下车，记住什么在在蜡烛工厂的周围一个人走来走去。完成了的mitsuroukyandoru的香味很印象深刻，并且那个香味现在还被在我的记忆时深深记下。

被什么样的"声音吸引？" 或者造成影响的音乐在你的自我形成最是什么？

我最喜欢的音乐的种类是爵士。在有爵士产生的有机的扩大的声音感到魅力。艺术家的Ahmad Jamal觉得对惊奇以及自然劲儿以及质量的高度满的声音是体现的出色的例子。假如有其他的人生的话，我也变得想能演奏若干的乐器。

FRAMA的家具以及瓶有变得想不由自主接触的各种各样的独特的质量感觉。请告诉我被往产品装的经过深思熟虑的设计要素。

由到空间的深的关心和对空间的气氛的高的感受性产生FRAMA了。为此，瓶也是重要的题材，与此同时又以拥有纤细这个特殊性的经验和事情在房子中为目标了。我们不对瓶直接印刷，珍惜作为作为东西存在的标签有的模拟的感觉。另外，是这个收集Care的根本，并且想把焦点用在基础性的要素。那个也在作为品牌的自我同一性不仅产品的选手阵容而且相同。

而不是量以及复杂性，把焦点在纯粹性用在有意思的东西。

淡薄有颜色，玻璃提高天然的油的保存性，白色，并且作为垫子的标签象征Care。以及安静，并且因为在标签安置必要最小限度的原文所以正产生超过时代的表达。这些用FRAMA的室内装饰的世界观是与形状zukuru基础相同的要素。关于这点，FRAMA Care这个两个世界正密切地和FRAMA Home连接起来，是增补互相的存在。

餐的经验通过食材的组合，餐具，照明刺激五感。在在世界旅行中特别被刺激的瞬间有五感了吗？

举行了FRAMA开始的从当初开始邀请朋友以及合作者，合伙人的晚餐。晚餐是不可缺少的重要的要素，并且在FRAMA的理念正是这个习惯kosoga，我们开始达Apotek 57的F&B项目的开端了。

迄今为止，在在国外举行的晚餐中，特别，印象深刻的东西的多少是在东京的晚餐。有个人，亲密的空间，对对针对各种各样的感觉感到关怀以及激情的地方kosoga，我来说最是剩下刺激性以及强大的印象的地方。许多有独创性和真货的特点的独特的版面设计的商店特别存在于东京而不是被做了的标准的空间。所有者自己的世界观被礼貌地表现，我从心里抱住敬意，有为了就这样投影出那个人自己被做kyureshon的空间的地方是期待着访问的地方。

有从小的时候起珍惜的独特的感觉以及个人的规则吗？

我从小孩的时候开始是很好好观察自己的周围的环境的类型。即使还是，而不是把什么写下来的观察，是好像向领取以及其次在用自然的形状遇见的经验以及空中之间前进的感觉。也许我是培养更密切注意观察那件事情也存在于哪个家族在3个兄弟的中心的各种各样的关系以及力学的性格。

在为学业在2005年在巴黎生活的时候，也有我的性格，所有事情是好的意思，并且很是刺激对象。是碰上了在哥本哈根，没存在的许多的文化以及环境。当时住在19区巴黎的我主要被犹太裔，阿拉伯裔，中国裔的人们以及当然的法国的波希米亚人们包围，生活。巴黎这个都市是提供优秀的艺术美术展览室，印象深刻的建筑，许多的美术馆以及出色的电影经验的地方。

培养这样的观察的性格，变得自我感觉到那个的在今天的FRAMA这个存在是形状zukuruuede大的帮助。

有涩谷PARCO的涩谷在世界最精力充沛，并且是正急速变化的都市的1个。在作为这个动力的市镇在FRAMA这个空中之间有创rukotonitsuite，什么样的想法？

我们在这个店铺为目标的在涩谷PARCO里是做稍微地安静的空间。为在一样的馆内，在动力更存在着许多有活力的品牌正打算产生那个对比度。这样的对比是FRAMA从小的规模到大的规模在各种各样的场面珍惜的想法。PARCO是投影出东京的国际性的场景的出色的地方，并且非常感到高兴对能作为那个一部分有关系。一边我们的目标陈列Care产品，在导线具有高的功能性和实用性，一边，在16平方米的有限的空间，是同时传作为空间的FRAMA关怀的品牌哲学。FRAMA有关于空间设计以及室内装饰建筑，纯粹的材料的背景，店铺的装修是在那个哲学体现的东西。在空间，粗糙的墙的质量感，光滑的不锈钢制造显示器，内容丰富的伯奇材的柜台等的各种各样的材料感觉微妙，并且，回响的缝制被做。为了鼓励带有作为我们的信号的淡薄的灰色的玻璃瓶的系列这些纯粹的材料被计算。一边在最大限度灵活运用有限的空间轻松，一边，并且意识到在有开放感觉的空间完成的了。

对光临的人们，FRAMA有空间设计的背景，认为感到作为针对经验珍惜作为horisutikku的接近的品牌的。另外，正请求这个空间的气氛成为用什么的形状在人们的生活方式里接近的存在。

In a corner of Shibuya PARCO,a serene space has appeared-one that seems to alter the very density of the air around it. It is the fragrances and the body care store of the Copenhagen-based design studio FRAMA, and their first location outside of Denmark.

Founded in 2011 by creative director Niels Strøyer Christophersen,FRAMA has become a brand admired by creators and culturally attuned audiences around the world. Working from a former 19th century pharmacy, the studio produces furniture, lighting, bodycare, and fragrance. What unites all of their creations is a powerful focus on physical,sensory reality-almost as if resisting the overwhelming flow of digital information that defines contemporary life.

To explore the core of FRAMA, we conducted an email interview with Niels himself. Through fragments of the five senses-sight,smell,sound,touch,and taste-we unravel the memories,travels,and invisible sensory experiences that have shaped his aesthetic perspective. We also delve into his personal connection with Japanese culture, a country he has visited many times, and explore why Shibuya PARCO was chosen as the place to introduce FRAMA to Tokyo now.

――When visiting Japan,have you experienced any"new sensations"that are hard to describe,moments that engage the five senses?For instance,the way light falls,or the scent of the earth after rain. Could you share any experiences like this that have sparked your creativity?

I'm always amazed by the serenity that you can experience at the Ryokan that really plays with all the senses. Those spaces have the power, or at least it feels like that, to make time stand still. On this last trip, we visited the Fukuoka and Saga regions in southern Japan. We passed by the Yoyokaku Ryoken which also contains an impressive ceramic / pottery gallery. Its atmosphere is pure, the air is timeless, the visual moments are meticulous.

―― Do you see any connections between Japanese culture and FRAMA's creative work or your own design philosophy?

I appreciate the subtleness combined with strength and clarity that for me envelopes Japanese culture. Something that resonates with me and something that I believe also fits the characteristics of FRAMA as a whole. The"complexity of the simpleness"is also something I keep experiencing and realising as I move around in Japan. Almost invisible layers upon layers creates an extremely refined and sophisticated society that from an outsider almost happens effortlessly and in a"super natural"way.

Coming from a small country like Denmark with 6M habitants its impressive how the society of Tokyo and Japan in general operates its everyday so smoothly. I've been to Tokyo more than times over the years and it always fascinates me how little chaos there is,how little noise there is,how calm and focused people are. I feel I experience a culture that rest in themselves and appreciate good things takes time.

―― Is there a scent that has remained deeply imprinted in your memory, or one that has served as a source of inspiration? Could you also tell us what kind of emotions that scent evokes for you?

When I grew up, friends of my parents owned a beeswax candle factory. One time I was left in the car sleeping outside the place but woke up after a little while. I got out of the car and walk around at the waxed candle factory on my own. The smell of the freshly produced beeswax candles was really mesmerising and something that is still imprinted in my memory.

―― What kinds of sounds are you drawn to? Alternatively, what music has most influenced your personal development?

Jazz music is my favourite genre of music. I appreciate the organic soundscape that jazz music offers. The artist Ahmad Jamal is a great example of sound that is surprising, organic and full of quality. In another life I would love to learn to play some instruments.

――FRAMA's furniture and bottles possess distinctive textures that naturally draw you to touch them. Could you explain the thoughtful design elements that went into creating these products?

FRAMA is born out of an appreciation of spaces and a high sensitivity to spatial atmosphere in general. It was natural for us to seek a bottle experience that is both a precious object in your home and processes the qualities if subtleness. We appreciate the analogue experience of a physical label rather than something printed directly on a bottle. And our aim was to introduce a collection focusing on the essential and foundational within Care, but in terms of product assortment but also in terms of identity. We wanted to focus on the pure and very meaningful rather than quantity and complexity. The light tinted glass helps preservation of the natural oils, the bone-white matte label represents Care and the only essential text on the label creates a calm and timeless expression. These are the same ingredients that creates the foundations for developing our interior universe and the two universes FRAMA Home and FRAMA Care is tightly interlinked in this matter and that's also why they compliment each other.

―― Food experiences stimulate the five senses through the interaction of ingredients, tableware, and lighting. Have there been any moments during your travels that especially awakened your senses?

Since the very beginning, FRAMA has been hosting dinners for friends, collaborators and partners. Dinners has been a integral part of FRAMA's ethos and this was the very ritual that lead us to start our F&B adventure called Apotek 57。 Some of the most memorable dinners abroad has been dinners we hosted in Tokyo. Places that offers a personal setting, that shows care and passion for the different senses is where I feel most stimulated and where the impression is biggest. Tokyo in particular offers great many places with unique layouts that are not fabricated and generic but instead original and authentic. Places where the owners has a curated universe that is a direct translation of them as people is the places I admire and appreciate visiting.

―― Have you had any distinctive ways of perceiving the world or personal rituals that you've valued since childhood?

Since childhood I've been very observant and aware of my surroundings. Not in a"noting down kind of way"but more observant in an organic way taking in the experiences and spaces I would come across and then move on. I'm the middle child of three boys and probably that enhanced my persona of being extra observant with the different dynamics that every family holds. When I was living in Paris (2005) while doing my studies it was very overwhelming, in a positive way, factoring in my personality trait. There were many new cultures and environments that did not exist in Copenhagen. Living the majority of the time in the 19arr., I was surrounded by Jewish-, Arabic-, Chinese people and French bohemians of course. The city of Paris was offering fine art galleries, impressive architecture and museums and great cinema experiences. Fostering this personality trait and becoming more self-aware of it has helped me shape what FRAMA is today.

――Shibuya, where Shibuya PARCO is located, is one of the most vibrant and fast-evolving cities in the world. How do you approach creating FRAMA within such a dynamic environment?

Our aim with the shop was to create a little quieter space inside PARCO to contrast with the more dynamic and vibrant brands that's also exist inside PARCO. The juxtaposition is also something that FRAMA often seeks in smaller and larger scales. PARCO is a great window to the international scene of Tokyo and something we appreciate being part of. With the 16m2 our ambition with the space is to create a highly functional and practical space for our Care products in terms of display and flow and at the same time convey our philosophy as a spatial Care brand. With FRAMA's background in spaces and interior architecture,pure materials the shop interior is framing this philosophy. The space offers different textures that interact with each other in a subtle way from the rough wall-texture, sleek stainless steel display units, dark birch wooden counters. All the pure materials are contemplating the series of light grey tinted glass bottles that is our signature container. We wanted to maximise the space but at the same time make the space light and area.

Hopefully the visitor will experience a Care brand originates from a spatial background where a holistic approach to experience is key for the brand and product experience. Hopefully this ambience will adherence at some level the visitors lifestyle experience.